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24 Hour Plays on Broadway

The annual event will be held at the American Airlines Theatre.

Participants have been announced for The 24 Hour Plays on Broadway—the annual event that brings together professionals from the entertainment industry to write, direct and perform six original plays within a day’s time—which will be presented November 14 at 8 PM at the American Airlines Theatre.

Proceeds benefit the Company’s program supporting theatre professionals 25 and under—The 24 Hour Plays: Nationals.

Actors planning to participate in this year’s event include Justin Bartha (The Hangover); Jason Biggs (Orange is the New Black); Michael Cerveris (Fun Home); Michael Chernus (OITNB); Joanna Christie (Narcos); Hugh Dancy (Hannibal); Rachel Dratch (Saturday Night Live); Grace Gummer (Mr. Robot); Mamie Gummer (The End of the Tour); Gaby Hoffmann (Transparent); David Krumholtz (Numbers); Andre Royo (The Wire); Thomas Sadoski (The Newsroom); Justice Smith (The Get Down); Amber Tamblyn (Joan of Arcadia); and Alicia Witt (The Walking Dead).

The Company has also announced five writers who will participate in the creation of the original plays: Pulitzer Prize-winning playwright David Lindsay-Abaire; playwright Hansol Jung; playwright and television producer Warren Leight; playwright Jonathan Marc Sherman; and Drama Desk Award-winning playwright Bess Wohl. Additional cast members, writers and directors will be announced over the coming weeks.

New York-based singer, songwriter and playwright Ethan Lipton and his Orchestra will be the musical guests for the evening.

“This year, we are proud to be once again working with a diversity of great talent spanning the entertainment industry—from upcoming actors leading hit television series, to those breaking ground in theater and film,” said Mark Armstrong, executive director of The 24 Hour Plays, said in a statement. “The 24 Hour Plays on Broadway has always provided an opportunity for many actors to try their hand at theater for the first time, while others return to the art form we all fell in love with. We look forward to seeing the six original productions this group will create.”

It was previously announced that Tony-nominated director Leigh Silverman will be the honoree for the evening. At the event, playwright Lisa Kron and actor Jayne Houdyshell will speak about Silverman’s influential work.

Following the November 14 gala, productions of The 24 Hour Plays are planned to take place in Denmark, Germany, Mexico and Dublin as well as in various theatres across the United States.

Click here for ticket information. / Source

October 5th, 2016
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Hannibal: Season One – Additions

I have updated our photo archive with additional images from the promotional shoot from Hannibal season one.

October 3rd, 2016
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Coach – High Quality Screen Captures and Stills

I have replaced our previous quality of captures and stills from Hugh’s project Coach in our photo archive with much higher quality captures and stills. The film is available for purchase on itunes and amazon.


October 1st, 2016
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The Path Season Two – Behind The Scenes

I have added two sets of Hugh behind the scenes of Season Two of The Path. Thank you to my friend Lah from zigazig-ha.com for sending these our way!


September 1st, 2016
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[2016] Emmy Magazine #6

I have added scans from Emmy Magazine‘s no. 6 issue to our photo archive. You can click on the thumbnails to go to the album.

June 26th, 2016
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[May 23, 2016] TV Guide

I have added scans of Hugh with his co-stars Aaron Paul and Michelle Monaghan in the May 23rd issue of TV Guide magazine. Thank you to my friend AliKat from katheryn-winnick.us for sending these our way!

June 26th, 2016
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Hugh Dancy Reveals What Made Him Want to ‘Commit’ to ‘The Path’ on Hulu

Following three seasons of playing criminal profiler Will Graham on Hannibal, Hugh Dancy delighted fans when he returned to the screen so quickly after the cult NBC series was canceled, starring on The Path on Hulu.

The new series, created by Jessica Goldberg (writer and producer of Parenthood) and executive producers Jason Katims and Michelle Lee of True Jack Productions, saw the English actor trade serial killers for religious fanatics as Cal Roberts, an ambitious leader within a fringe religious movement.

While struggling to maintain some control of the Meyerist Movement, Cal had to battle his many internal demons, which didn’t always stay as deep or tucked away as he liked. Following the finale, the 41-year-old actor talked to ET his understanding of Cal, the joys of sermonizing onscreen, and being a star on Hulu:

Entertainment Tonight: First off, congratulations on the show. I was just curious, what was your take on The Path when you first joined? Did you realize what exactly it was going to do?

Hugh Dancy: I often realize how seriously Jessica Goldberg and the other writers were taking the question of faith, and the individual faith of the different characters, and that to me, is what made me want to commit to it. I suppose what I didn’t know that it was some form of a power struggle or a quest for power. I don’t think I knew — and I’m not even sure the writers knew — the degree to which they’d allow kind of hints of spirituality or mysticism, like genuine mysticism, to bleed into the show. I think that adds a whole different note to it.

One thing I liked, especially in terms of your character, this slow descent into a sinister character who’s really struggling for control of power. And I was curious, how did you balance how dark to go with each episode, and how much to let viewers see?

Certainly, the blueprint’s in the script overall, but I had to decide for myself how heavily to lean on the fault lines that are running through him, in terms of his background, his upbringing, and then there’s the extreme pressure that’s been brought to bear on him, just because of his isolation at the top of the movement, essentially, nobody else knowing what he knows. Both those things I was quite sympathetic towards, I felt like he was struggling to stay afloat on top of a really raging sea, not of his making, certainly. Then as he tried to navigate all of that, there was a secondary factor, which is that his own ambition, his own alpha-driven desire to control. That, I suppose, I have less sympathy for. Ultimately, just the goal there is to have you understand to some extent what’s driving him, and be a bit horrified by it, but not completely lose everybody’s sympathy.

Tell me about a favorite moment from filming this season.

I think I enjoyed — I mean, broadly speaking — the span of the character, in the sense that he can focus very, very intently on an individual and laser in on them. But he also has the capacity to stand in front of a big, big crowd and preach. It’s rare that you get the opportunity to flex all those muscles. He is a performer and he is theatrical. So, I got to indulge that. I suppose those sermonizing scenes and, particularly in the first episode, when I’m recounting the story of Plato’s cave. They were daunting but enjoyable.

I also love that Cal is listening to these self-help tapes about the idea of smiling and presenting and how you win people over. Did you think much at all about things like the facial expressions or your body movements, and what he would do in terms of getting control of people?

To a degree, I mean without sitting down and being exact about it, it factors into the way he carries himself, the way he speaks. If you have the kind of confidence that he does, it’s going to affect the way you sound. What I found interesting about him was that he, to some extent, he’s in a leadership role for a long time, but he’s been thrown into an entirely new and unexpected spotlight. All of which is basically unwanted on his part. He’s rapidly struggling to catch up. He’s got charisma but he’s also kind of doing Charisma 101.

Considering that you’re now on Hulu versus a traditional network, like NBC, are the expectations for the show different? What’s the experience like being on this kind of network?

Well, you know, it’s interesting because in terms of Hannibal, NBC was very — at least, from where I was sitting — very hands-off in a good way. Very quickly they gave the controls to [creator] Bryan Fuller. Maybe it would be the more typical network experience, where there are a lot of people looking over your shoulder. That said, I don’t know that anybody on the network would have commissioned The Path and then just put it out there in the world and had faith that it would slowly gain an audience. You just can’t do that.

What did you learn about yourself, filming the show?

What I learned was that regardless of how you define yourself in terms of your religion, or your beliefs, everybody has some desire for meaning and for belonging. So any one of us — including myself, I suppose — are potentially open, or I would say vulnerable, to this kind of experience that the characters on the show are having.

Source

June 22nd, 2016
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Aaron Paul mentions Hugh in interview with Variety

Paul: Does he have his lines memorized?

Hiddleston: Hugh Laurie is the most diligent, most serious, most professional actor you could possibly work with. Woe betide the actor who is not ready to work with Hugh. He’s a true pro. Hugh has his lines memorized, sometimes lines that he’s written himself.

Paul: That’s like Hugh (Dancy) on “The Path.” I’ve never seen him with the set of sides. Which, for me, I mean I come prepared, but it’s nice to have that as a security blanket.

Hiddleston: Sure.

Paul: But I look at Hugh… I really look up to him. I mean, he’s such a phenomenal actor, but he’s never once looked at a page of sides.

Hiddleston: It’s interesting. I always find there are some actors who come with the script completely internalized and never have to look at it, and they come very ready with ideas to pitch about staging. And other actors who are more fluid. And there’s no one way that’s better. I think some people like to feel their way through it and be spontaneous, and other people like to have thought about it before.

Paul: Right. This is a big difference that I see with TV and film. Film, the script tends to, at least in my experience, tends to somewhat stay the same, in terms of the dialogue and the story. And with TV, I’m getting pages the night before, with the scenes being completely changed. I like having my little security blanket.

June 10th, 2016
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Hugh Dancy goes big as a cult leader in ‘The Path’

When last we tuned into the TV career of U.K.-born Hugh Dancy, he was playing FBI profiler Will Graham, who developed a strange personality meld with his subject, Hannibal Lecter, in “Hannibal.” In the finale, the two of them tumbled off a cliff in a death embrace. These days, Dancy is again looking into the abyss as Cal Roberts, the would-be-leader of a spiritual/religious cult known as Meyerism in Hulu’s “The Path” – a man who will do whatever it takes to ensure that his faith goes unquestioned. Dancy (who is married to “Homeland’s” Claire Danes) sat down with The Envelope at Doma Na Rohu in New York City, and they dove right in.

I couldn’t help watching Cal in “The Path” without thinking that, in some way, Will survived his fall and resurfaced as this Machiavellian leader of a spiritual cult – with all of Hannibal’s lessons intact. How far off is that?

Perhaps, but Will survived some version of that cliff fall at the end of every season. That first season he’s incarcerated, the second he’s gutted and – we don’t know what happened at the end of the third season. I always wondered when he would come out gleaming and whole and deadly, but the bubble of his empathy always rose to the surface. Not that Cal isn’t conflicted, but everything about them and the style of the series are so different.

How so?

We were trying to ground “Hannibal” psychologically and give it depth but we weren’t trying to pretend that this was actually happening in Baltimore. [“The Path”] lives or dies by the belief that it could be real. It’s preposterous, very heightened in many ways, but we’re looking for naturalism at all times. Both Will and Cal are in deep conflict over who they really are, though, and that’s true of any character worth being dramatized.

In “The Path,” Meyerism doesn’t initially seem bad or scary on the surface, as far as cults go. There’s a real self-help feel.

I realized when I was getting ready for [the show] that if you’re going to start a religion you have to go big. If I was going to do it tomorrow, I wouldn’t start with “Everyone’s going to be nice to each other and you’ll probably be OK in the end.” It’s got to be something so extreme and hard to believe that people have to go on faith. If you tell everyone that in fact everything they can see is made of cheese, a certain number will say, “Cheese, I can go with that.”

I would sign up for that faith, but it’s terrible for the lactose-intolerant.

Heretics! Anyway, I think that’s what the show does very well: Balancing up the belief system. It’s recognizable, it’s sympathetic and based around the desire for community and simplicity and transparency. Those are all things we can get behind.

Are you particularly curious about religion or theology?

Belief interests me. The idea of conviction is something that’s pretty intrinsic to acting. When I think about the character as a whole, I tend to think about the beliefs that we have or we think we have or that we’re trying out, the things we offer up in discussion or argument, how in a way we’re debating ourselves. Then the beliefs that are so deeply grounded in us we take them as a given – that all seems tied into the idea of religious belief.

You’ve had a run of pretty intense roles. Think you’ll be up for a wacky screwball comedy sometime soon?

I’ve done my fair share of comedies. But you ride the waves of things that are coming to you as long as they’re interesting. It’s not like, “At last I’m being taken seriously!” – I don’t have that feeling. It’s just, “Oh, you think I can do that? I’ll try that.” I’ve got the usual roster of anxieties and insecurities, but it’s not like I have to be desperately taken seriously.

So what are you most insecure about?

It’s like a fear that I have not done enough, not thought hard enough about something to do justice to it, and when the thing is complete it will be apparent. I used to feel more that way – that’s a quintessential actor’s feeling – but I still feel the challenge of wanting to do justice to richly thought-out material. Source

June 9th, 2016
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Article Magazine: Hugh Dancy Deluxe Edition


I don’t know about you but I absolutely ADORE the Hugh Dancy edition of Article Magazine that released last year and when I heard about the following news, I almost fell out of my seat. All information is included below:

To celebrate the success of The Path season one on Hulu, we are excited to present this very special edition of ARTICLE Issue Six, with lots of additional bonus material for followers of the British actor.

This Limited Edition contains the newsstand edition of our Winter 2015 issue, which features a dramatic black-and-white cover shot of Hugh Dancy, and includes Stuart Husband’s original feature-length interview. The magazine is accompanied by a separate, brand new 8-page poster booklet, with exclusive unreleased images from our shoot at Tempelhof in Berlin, Germany.

This Deluxe Edition comes in a brand new book jacket, and also contains an A2-size full colour, double-sided fold-out poster of Dancy.

The price for this special edition is £11.00 GBP, with freepostage for UK orders and greatly reduced international shipping rates: £3.00 GBP for European orders and £5.00 GBP for all other destinations worldwide. Order now, and you will receive this Deluxe Edition delivered straight to your door when it becomes available mid-July.

ORDER NOW

How excited are you for this DELUXE edition! We’re jumping for joy at the opportunity to add it to our collection, what about you? This is a must have for all Fannibals and followers of “The Light”, all of you Hughvians out there.

Side note: Look at that cover! And remember our review? It really is amazing quality and you do not want to miss out on this one!

June 3rd, 2016
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